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You might want to check the new website-proposal: http://easa.x42.at

Landart & The Camera


Finally I present the first edition of our website with the results of the workshop "Landart & the Camera"...

And: Yes baby... the Washing Machine pictures and the Chair pictures are there!! And there is more to come!

Check out: www.landart.tk

Ciao, Jelk



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:: vis ::


where sun rays fan-like spatialize rainbows twosome go their way time dis-flows and stretches out where heaven's fruits pass by as star-grapes would where blue the sea gets bayed and white the beach is gonna get millenial

there I let a piece of mine leaving a dental gap it fell



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:: network as art ::


Anybody who attended Don Foresta's lecture should be more or less able to figure out what our workshop is about.

Network – a common media term nowadays. The notion is «en vogue» and vague – as most modern terms are. Don Foresta spent part of his lifetime to put a meaning to this word. A bachelor in American History, a Master in International relationships, and a Doctor in Sciences and Arts made him on the one hand a man aware of history, living the present facing the future. On the other hand one of his major concern is about communication and human relationships.

Information Technologies have turned out to take a major place in our every day’s habits: Chatting, e-mail, file sharing, online shopping, online banking, online phone calls, online booking etc... So to him, high-tech broadband networks will be the communication channel of the future. But compared to older communication spaces as speech, dialogue, print-medias, radio, telephone, this new child of human imagination has the same major fault as other electronic media: a lack of complex human presence and of cultural content.

Commercial aims and purposes are threatening to create a vacuum of sense in this space. Selling and conning are the main “non-content” of today’s net spaces – as the examples pointed out already. Surfing the web one will find at least 90% of bullshit.

To Don Foresta, netspace should be an extension and broadening of the well-known communication spaces. To do so, they have to integrate human sensibility and meaning. The vaccum of non-content has to be filled.

As he points out, we are at a turning point of history – with impressive parralels to the renaissance, when old paradigms and models of perception of our world were torn down to be replaced by new ones. This resulting mechanical paradigm– which took 300 years to be generally accepted – is already fading and making place for another one: The network paradigm. People are becoming aware – little by little – that they are part of a bigger something. Connectivity, relational and dynamic aspects are being pointed out in nearly every domain.

How all this can be put into a workshop might seem quite hard to do. Don did.

networktree

If we are at a point where we have to fill an empty space with meaning, we are making something similar to what the first human artistic act and gesture might probably have been. So the approach was to get back to the roots of arts – which essence is mainly giving a meaning to something.

According to Don Foresta, the first human artistic gesture – which dates probably back to one million years ago – was picking an object out of its environment and to use it as a talisman, shrine or fetish .... And by that selection, give those objects a meaning.

In order to try to experience this process of giving meaning, we walked around different places, gathering – not only objects, but pictures, experiences, moments ... And we are trying to turn them into somethig else and by that way give them meaning.

Next step was to do so as well in the virtual space of the web. Surfing the web, picking up «objects», screenshots and use them to turn them into something else.

After the phase of gathering came the expression – a double step. We intended to work in two interacting realities: the «real» and the virtual. Our project had that in common: It's functionning and aim and it's form.

That has been described quite well by Duncan:

«(...) created the "samogor art gallery" as a centre point, hub, nucleus, heart of samogor where people could meet, communicate, do and see art, information could be exchanged, sunbrella articles read, a place to celebrate, have parties. and all else.

we have made a prototype website, a virtual "samogor art gallery". we hope it can do the same things as its real version. mainly allow for discussion, communication, interaction, a place to see and do.»

Personnally I see it more as one of several possible nodes in a network. But that doesn't matter – as it is my reality and everybody is free to have it's own – «we shape the world around us by looking at it».

Furthermore we wanted to leave an imprint of us on Vis:

«(...) about leaving an imprint, a positive trace of us, that we were here. We are experiencing something great - and perhaps it would be just as polite to give something in return. We all are going to go back home with some, adresses, icq numbers, experience, shared moments ... but perhaps a part of what we are bringing out into the world from this summerworkshop might as well be given to Vis itselfs.

That's what that art gallery might be about: a trace of our assembly. What we would like to do is to set up relations to the habitants of Vis - who often are wondering what the hell is going on here in Samogor. So that might be a start for something which is meant to stay longer than we do. » (sunbrella – workshop-report S18)

... and an imprint in the virtual world ... – something evolving in time, something living – let's make easa live (it already is!), let's make it last .

Hvala Dovidjenja

alx b.



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is there something like over-organized?


What I've heard from the recent easa-meeting it seems as if things are pretty orgainzed these days - nearly everything was done by the croatian team, as e.g. the bar (strictly 7pm-2am, always with the same barkeepers), or not making it possible for anyone to play 'their' music at the large stage (with the effect that the spanish people had their own party somewhere else, as many others as well). Also I've heard of the troubles of a NC that tried to visit the base for a couple of days, not being let inside...

I wonder if these aren't all signs of over-organization and remember easa has been pretty open earlier, letting people do what they want to do, without such strict rules. Don't we architects learn to plan, organize and manage projects, isnt it most important for a community-concept as easa to offer a playground for such ideas?

As I did not have the chance to take part at Vis, this feeling is based on not more than personal reports - but I'd be interested in your idea of the easa-spirit, and your wishlist for the next gathering. Probably the responsible one's out there might take notice.



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photos


i just resized all my pics for the web... still 20mb - so you need a good line.

my homepage > fotos > easa

if you wantem full size youve to wait till ive the ftp server - i going to hook up 80Gb to our T3 pipe at university... hopefully ;-)

hope you all like my pics!

cu, marko

ps: i know - my site is really old...



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future of EASA


this was posted by duncan, I just made a new story - open for comments

just back 2 days from EASA in samogor, vis, croatia and it was brilliant, ZAKUN

i am concerned about a few things about EASA. I think it does a great thing but i think it could and should do more

COMMUNICATION- this was my first EASA, even though i have been in college for a few years. i missed out on lots of stuff over the last few years.

EASA should communicate to lost countries and schools, either through the main body or N.C`s ongoing EASA. at present EASA is an event which happens for 2 weeks every year. that is great. After the event communication happens between people via email, letters, meeting up. we are a COMMUNITY.

why can we not work and live as an online COMMUNITY all the time, whereby events and workshops happen during the year and we use the web as the communication interface. then we come and meet for the 2 weeks and have the amazing workshop event which is now what EASA is. a system like this is possible and i believe would hugely improve things.

in EASA 2002 i was involved in the NETWORK workshop. we addressed these things and created the "samogor art gallery" as a centre point, hub, nucleus, heart of samogor where people could meet, communicate, do and see art, information could be exchanged, sunbrella articles read, a place to celebrate, have parties. and all else.

we have made a prototype website, a virtual "samogor art gallery". we hope it can do the same things as its real version. mainly allow for discussion, communication, interaction, a place to see and do. we feel EASA could benefit from this system hugely and we would encourage everyone to spread word, encourage communication and communicate.

If this happens EASA can only grow as a community and in time be able to address the real problems in this world and possibly find or create solutions.

We explore and work toward the ideal of a FUN SUSTAINABLE PEACEFUL EXISTENCE



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easa 2002 | croatia, vis


lets continue...



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