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"architecture is a political act"

ANARCHITECTURE: Architecture is a political act
is the statement or manifesto that Lebbeus Woods used to call his book from 1988.

the helicopter drop is one of my favourite architectural ideas
its from a scheme he called "zagreb free zone"





"state of emergency" is my little interjection, it refers to something that i feel is unhealthy and rampant in todays architectural community, that being the apparant lack of critical discussion, thinking and action on issues both architectural and political.

perhaps its because we, europeans, have gone through a particularly turbulant time over the last few years and the wounds have not yet healed; perhaps its easier and better for some to not have to remember the past horrors.
perhaps its because we are living in an evergrowing consumer society that really doesent care, "live for today as tomorow you will be dead"
perhaps people associate political thinking and action only with being part of political parties and working in that system.

in my opinion, and many others too, the western world view is slowly going through a massive paradigm shift with the result that we are beginging to ask new questions, develop new ways of doing things, making new methods and places for our species to talk with itself in a meaningful way.
but i feel that this progressive thinking is, for the most part, absent from the archtitectural communities that i am part of.

EASA started with this SPIRIT, back in liverpool city in 1981; seeing problems and doing creative things to resolve them. but that SPIRIT then drifted to care free summers on mediterainian islands, last year there was an attempt to come back to the fundamentals of what architecture is for; people and cities. A request was made for 400+ architectural students to come to a semi-derelict building and to attempt to engage with the local communities, to excite them, to share their dreams, to work with them, play with them, get to know them. in short to make it clear that the condition publique was for them to use, work in, play in, dream, discover.........
but for the most part it did not happen, it seems that the experiment was not a success, EASA did not come up with the goods...

im writing this for a few different reasons,
-to share with the community my views
-to throw out an idea in the hope that it generates some positive and exciting discussion
-to attempt to further find out what is going on in the different architectural pockets of europe, whats new, whats exciting, whats different from here
-to establish whether this "state of emergency" is real or imagined

so ill leave you with a few words from Lebbeus Woods
www.thesnowshow.net

Woods is the cofounder and scientific director of the Research Institute for Experimental Architecture, Europe (RIEAeuropa), and they happen to have their base in bern, switerland, which is the country for the upcoming EASA005

www.riea.ch

"whoever occupies the freeespaces and the free zone will have control of the powers inherent in them: the power of access to global communications networks, with their databases and priveleged information; the power to broadcast, and to interfere with the broadcasts of existing institutions of authority....."
 
tx, Wednesday, 27. October 2004, 04:19
talking 'bout woods, do u know he's giving a lecture in rotterdam @ DEAF dutch electronic art festival?...wanted to go there, but incm happened to be in the same time here, so staying in belgrade...more u can find on www.deaf04.nl

tijana

duncan, Wednesday, 27. October 2004, 15:16
hi tx
i did not know that, do you know if the lecture will be webcast, and if so what is the link to watch it.
our DEAF festival is on at the moment in dublin, no time to go busy with work
enjoy incm
vedimo se
dunk
 
tx, Thursday, 28. October 2004, 13:58
there will be streaming...especially cause they're really in these electronic stuff..lecture is on november 11th, 20>22...try to find information on the site then and good luck/ srecno!
cheers,
tijana
 
duncan, Thursday, 28. October 2004, 15:34

The Evening of Lebbeus Woods: Redeeming Turbulence and the Crisis of the Fall (presentation)

Creating the sense of an open system in the turbulent post-9/11 context challenges the designer, the artist, the architect in their roles as visionaries. This evening, Lebbeus Woods explores the new meaning of the ethical responsibility of the architect. Lebbeus Woods is widely regarded as the most original architectural visionary working today. His body of theoretical work has served as inspiration for architects, artists and students. Since Woods gave up real construction in 1976, he has explored hidden possibilities, wishes and desires that are suppressed in the reality of construction.

Lebbeus Woods (US)


Lebbeus Woods (1940) worked for Eero Saarinen and Associates and has been creating experimental projects since 1976. His visionary architecture is concerned with the cultural regeneration of society, directly confronting urban landscapes and social and political conditions presently undergoing radical transformations. His projects - including the recent Berlin-Free-Zone, Zagreb-Free-Zone and Double Landscape, Vienna - propose architecture as an instrument of social transformation. He is a co-founder of the New York-based Research Institute for Experimental Architecture. Currently, he is a Visiting Professor at Cooper Union in New York. In July 2004 his work The Hermitage was placed on of the walls of the Dutch architecture institute NAi.

here is previous story which includes links to webcasts
easa.antville.org

and here is post about EASA community watching webcasts or similar archived webcasts and communicating together after
easa.antville.org

ive contacted DEAF about seeing if they can inform us about webcast

if jelk or someone else could give us link to koolhas webcast from last year it would be helpful
hvala tx
 
tx, Thursday, 28. October 2004, 17:12
and what i'm thinking now about is if could stream it up during the incm in belgrade, cos i'm sure u've seen also there that lars spuybroek will hold presentation about machinic architecture and his latest project in doetincheim, nl...some informations about it

D-tower is a collaboration between NOX and Q.S. Serafijn, a Rotterdam

based artist. D-tower is a permanent public art work, including a

website, a questionnaire and a physical tower. The website

(www.d-toren.nl) visualizes the responses to the questions written by

Serafijn, determining the intensities of four emotions: love, hate,

happiness and fear. Each half year a different group of 50 inhabitants of

the city participates in the questionnaire. All the ins and outs of their

emotional lives is made visible on the site, including ongoing

discussions on 'hot issues'. Every evening, the full epoxy tower,

designed by us, shows the State of the Town by taking on the color of the

most intensely felt emotion. It has already been running for a month, and

it has been often blue (for happiness) and red (for love), sometimes

green (for hate) - however, it hasn't been yellow yet (for fear). One can

check the color of the tower each evening (the light goes on

simultaneously with the lamp posts) on the webcam: www.d-toren.nl/webcam
 
adam cp, Thursday, 28. October 2004, 17:33
Hello Dunk (and everybody else)


Wow, something architectural... (and political)... so i'll comment... just because i like woods very much too...

Yes - architecture is politics! No matter what the architect does it will be a statement about his/hers position in the world, in society... One thing which architecture (and other artforms) - as a media of political expression - allows you, is to stay away from preconcieved, fixed, political dogmas!

I am very happy, and very surprised that you pull out Lebbeus Woods. Surprised because Woods in particular, in contrast to others, makes a big point out of being architectural and political in a non-dogmatic way...

"my way of working aims at the creating of things we don't understand in advance and whose effects cannot be predicted but must be discovered"
- lebbeus woods, "origins", p.44

In this way his projects and writings opens up for discussion rather than closing them. His drawings does not tell you how or what things are or should be. Instead he shows us something uncertain. A space to open up our imagination, imagine ourselves into...!

So why shouldn't we lean ourselves against political or architectral dogmas? ... Because they make open discussions impossible, and they prevent us from being truly revolutionary! - architecturally AND politacally...

imho

love

Adam

btw - the project berlin-free-zone is not exactly recent, it's from 1990

duncan, Monday, 1. November 2004, 12:31
the festival of samhain brings in the new celtic year, there were plenty of massive bonfires going throughout dublin city last night, a tradtion that has been here for thousands of years- i wish you all a happy and fruitful new year

hi adam, tx and co
nice to hear from you again

"open systems", as you outlined, are the most important thing as it recognises that ideas change, grow, evolve. also that those invovled with the ark/political questioning and imagining regognize that its an ongoing open process- so with this asking quesions and gettting invovled with diverse groupings of people to explore the issues is essential.
therefor creating spaces to do this is essential, and its already happening- that is why i stress the importance of the social forum, a physical space for open dialogue.

further discussion about that here
living
easa.antville.org

i came across a description of the difference between a designer and an artist.
the designer asks how the artist why
the designer looks for the solutions, the artist asks open ended questions

so with all this i have been invited onto national tv to speak on a show themed "imagining the future", in which i will outline the "state of emergency" as outlined above but also the healthy activities i have been lucky to participate in with the EASA community
-derelict army barracks living @ vis, croatia
-eco city banja luka @ bosnia
-eco village @ frilande, denmark
-cultural machine @ lille, france

and ill be speaking about the thesis im working on at the moment
botanic spine, a green corridor for dublin city
easa.antville.org
id appreciate any help from the EASA community

show is called "bite back" RTE 1 @ 2.30
should be fun
slán
dunk
 
dubravka, Monday, 1. November 2004, 15:19
this discussion really is interesting, i am sad i cant contribute @ mo, too much work considering fast approaching incm.... but when the storm passes...
other orga im involed with is hoping to get lebeus to hold lecture at our school in spring... more info soon
dubi
 
zmitser, Friday, 5. November 2004, 16:42
I think we can speak about architecture allocating from it of policy. I think it strange, but in Belarus of the students - architects learn, that the architecture forms a society, operates it. It is possible to speak, that the architect - main man in a society, which creates an environment.



Minsk - unique city. Under the statements of some experts of Minsk - ideal Soviet city. Its primary spirit and shape has disappeared under the machine of the Soviet authority. Huge quantity of the present city dwellers - people, which here have arrived to one era USSR and these people could not apprehend existing here centuries-old culture. Old, before soviet culture of city, has disappeared together with an architectural heritage. The new culture USSR has brought new culture with new ideology. All this can be looked after on architecture of city.

Lubcha, Belarus

The Soviet authority with the help of architecture has created ideal Soviet city: the radial-ring system of city, green meridian and green ring (idealest examples of green corridors), magnificent houses at the centre and huge microareas on edges of city, strong system of public transport, where is possible sometimes to go "free-of-charge", block houses in grey paints.

Minsk, Uruch'ye

The present authority in Belarus differs from the Soviet authority a little. For example, we build of habitation for the people by the Soviet principle (but block houses of steel in bright paints and more comfortable) much. Many public buildings - ice palaces, pools, houses of culture, train and bus stations were constructed. National library now is under construction, will build soon television tower (second on height after a tower in Moscow).
And it is possible as a positive.

Minsk, Belarus

At university we study to create ideal city, where the ideal architecture for an ideal community and authority will live. For example, the educational project "Microarea in sity system" forces of the student to think of an ideal community, inspires it to create. And it is possible to name it as success. The Authority inspires to create, and the Architecture should inspire authority to work.

project-skitch of Minsk (1970)

But I can not up to the end be pleased with a situation here. Each day I overcome 22 kms from one part of city in another to study in architecture. And each day I see and I feel life of city, influence of architecture and authority. Each day, leaving from the underground, I see a symbol of present Authority - new building of library.

Minsk, Belarus

But I get tired to live in ideal city, where there is no spirit of a history and time, and at such moments I to find meal for limits of Minsk, inspiration in ruins of a history and culture of a Nation.


I very much like an example in Riga, Latvia. In the central part of old city in the Soviet time have constructed a museum the Soviet soldier (after the World War II). It is possible on any other business to concern to USSR, but in modern independent Latvia a museum have renamed into a Museum of the Soviet occupation. It is very symbolical, that the building has rectangular volume from a black material and faster causes hatred to the Soviet epoch already only by appearance of a building. So architecture and authority influence thinking of the people.

Museum in Riga, Latvija


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